Dennis McDougal

And here's the pre-publication reviews.

FROM PUBLISHERS WEEKLY:

Taking on not just a legendary subject, but a legendarily private subject—refusing biographers and TV personalities, Nicholson prefers “the occasional magazine Q&A or quickie newspaper interview”—author and New York Times film writer McDougal (Privileged Son) has turned out a model biography: exhaustive, full of action, and startlingly illuminating. Nicholson—flamboyant yet guarded, outrageous yet articulate, charming yet polarizing—has marched to his own drummer for 50 years, heading up a parade of celebrated films and famous women, eliciting strong opinions in just about everyone; as such, McDougal presents an engrossing showcase of big films and bigger personalities. Following a modest, fatherless New Jersey childhood, Nicholson set out on a California odyssey that would require stamina, guts and luck, as “eking out a living” in the early sixties gave way to the career-making premier of Easy Rider: “ ‘I had been around long enough to know while sitting in that audience, I had become a movie star.’ ” Los Angeles plays a starring role, giving Nicholson his wild lifestyle, a loyal, eclectic roster of friends and a long-time neighbor in Marlon Brando. Digging up as many roles offstage as on—hardheaded businessman, softhearted friend, master of rude rejoinders, fanatical sports fan and poetic philosopher—McDougal makes Nicholson’s everyday life just as fascinating as his films, which also get considerable, thoughtful attention; in fact, McDougal’s research is so deep and detailed, his extensive chapter notes could make a fine book of their own. (Oct.)

FROM THE LIBRARY JOURNAL:

"Jack Nicholson has the most Oscar nominations in film history, and only Katharine Hepburn has more wins. He has shunned television interviews and never cooperated with a biographer, though a dozen or so books have been written about him. Journalist McDougal (The Last Mogul: Lew Wasserman, MCA, and the Hidden History of Hollywood) researched Nicholson through friends, associates, court documents, books, and unpublished documents. Raised to believe his mother was his sister, Nicholson spent ten years struggling to make it in Hollywood, toiling in potboilers like The Cry Baby Killer and Hells Angels on Wheels, writing scripts (e.g., The Trip and the Monkees movie, Head), and hanging out with other Hollywood hopefuls like Bob Rafelson and Henry Jaglom (who both became well-known directors and figured prominently in Nicholson’s career). His small but career-changing role came in 1969 with Easy Rider. With lots of interesting tidbits that will surprise fans and almost 60 pages of notes and bibliography, McDougal’s biography is the most definitive to date. Highly recommended."—Rosellen Brewer, Sno-Isle Libs., Marysville, WA

Five years ago, I signed with Peter Jones Productions as consulting producer on a two-hour PBS documentary based on my biography of Otis Chandler, "Privileged Son: Otis Chandler and the Rise and Fall of the L.A. Times Dynasty." "Inventing L.A.: The Chandlers and their Times" which premiered on "American Experience" in October of 2009, is an ambitious reprise of the generation by generation history of the once-great Los Angeles Times and its publishers who, arguably, created modern day Los Angeles from a pueblo that Gen. Harrison Otis first called home in 1881. The tale tracks the career of the General's son-in-law Harry Chandler, one of the inspirations for Robert Towne's Noah Cross character in the classic L.A. noir film "Chinatown", followed by the quintessential L.A. power couple Norman and Dorothy Buffum Chandler, and culminates in the ascension of their son Otis to the Publisher's Suite in 1960. Last spring, "Inventing L.A." was honored with a George Peabody Award for excellence in television broadcasting.

I once lived and wrote near the sea, more specifically in Long Beach, California, but insane traffic and a general decline in the environment made me relocate to Memphis five years ago. A bit of my heart will always remain along the Los Angeles coastline where I was born and spent most of my life, witnessing the slow decade-by-decade dissipation of Eden by the Sea.

But turns out Memphis is not only the home of the blues, Elvis and the finest barbeque on the planet. It's also green -- Tennessee is, in fact, the greenest state in the land of the free; Davy Crockett got that much right. Our manse isn't moss covered, but it does have a lot of the other attributes of Southern comfort: oaks, poplar, hickory, deer, fox, wild turkeys and a host of other varmints, including armadillos, gopher snakes and coyote. There is no traffic. L.A. freeways are a distant memory and outside of the pollen, the air is clean and the water plentiful. It is a far cry from living in an asphalt desert. Doesn't mean it's flawless. Humidity and heat would make it unlivable for a California boy were it not for air conditioning. But with it, Memphis is mighty fine, mighty fine indeed.

Memphis is a good place to write and that is what I'm doing. John Wiley & Sons published my biography of Jack Nicholson and his career in film, and Five Easy Decades is on the shelves now. So guess who I'm writing my next biography about?

Watch for updates here on "Things Have Changed," my Vietnam era novel "The Candlestickmaker," the documentary miniseries "The Acid Chronicles," a TV dramatic series based on "The Last Mogul" and other projects.