I thought I'd offer a little homage here to one of my early influences, the journalist, raconteur, man of appetites to beat the band, Stanley Leppard...

The late, great Stan Leppard swearing off tobacco for the 43rd time. (Curt Johnson photo)
As life runs out, it's often sad
Men cling to memories
Of fame achieved, of laurels won
Of foes brought to their knees
Some may relive one childhood hour
As the petal fades and curls
But in my final ticks of time
I'll think about the girls.
The girls...
The bad girls, the good girls
The really-I-doubt-that-we-should girls
The dark girls, the fair girls
The any-old-thing-for-a-dare girls
The tall girls, the short girls
The what-makes-you-think-I'm-that-sort girls
The dull girls, the bright girls
The I'll-keep-you-guessing-all-night girls
The take girls, the give girls
The hell-with-convention-let's-live girls
They're all I will want to remember then
I'll cherish the thought that I knew them when
And I'll wish I could live just to love them again --
The girls.
Some will call back fleeting days
When masses hailed their name
And some may think one business coup
Worth all the ruddy game,
A few men even can recall
They once trod distant worlds
And kings may yearn for one more crown
I'll think about the girls.
The girls...
The cool girls,the warm girls
The bold girls, the quiet girls
The you'll-never-know-'til-you-try girls
The sober girls, the lushy girls
The two-drinks-and-I-get-all-mushy girls
The subtle girls, the direct girls
The mink-is-the-least-I-expect girls
The racy girls, the nice girls
The not-'til-the-old-shoes-and-rice girls
They were the name of the game, my friend,
They made it worth it, right to the end
And I wish I could live just to love them again
The girls.

Visiting a South Carolina plantation.
I’ve been absent for a spell and I heartily apologize. Mostly I’ve spent the past five months traveling (L.A. twice, Savannah, Paducah, Atlanta and Charleston, South Carolina), working on The Acid Chronicles (new DVD trailer finished along with a narrative script), scoping out my next book project (maybe another biography, maybe a chronicle of the troubles at the Getty Museum), and rewriting my Vietnam novel (The Candlestickmaker) and screenplay (Harbor Lights). The Last Mogul has been optioned for a proposed TV series, loosely patterned after The Sopranos and Peter Jones Productions is in the final stages of readying Inventing L.A., a documentary adaptation of Privileged Son, for broadcast next year over PBS.
So, I’ve been busy. No excuse, but I have NOT been idle.
Next week I head back to California to appear on a panel during a two-day symposium at the Huntington Library on L.A. moguls of the 1920s and 30s. From there, Sharon and I stop over briefly in Sacramento to visit five grandkids then we jet on to Toronto to see Leonard Cohen in concert for the first time in 15 years. Back to Memphis mid-June, hanging with Megan and Alex who will spend a couple weeks with us, then back to California July 1 to continue work on The Acid Chronicles.
Next entry won’t be such a resume/travelogue, I promise. By then, I may have a new website: www.rosebudpublishing.com. But more on that later.

Author McDougal in ponderous mood
Two good men left the planet last week.
One was a lifelong truck driver and the other, a newspaper editor. They were also fathers and grandfathers, and while their passing was not unexpected, the news hit hard. If a single grain of sand washes away, the beach does indeed get a little more crappy. That death comes to visit during the holidays -- when ebullient 21st Century grandkids track Santa’s progress on the Internet but still rip through wads of gift wrapping on Christmas morning -- only ups the crappy quotient.
My bride and I were on the road in San Francisco when word came that her brother Michael Randolph had finally succumbed to the Chronic Obstructive Pulmonary Disease that had plagued him for several years. A lifelong smoker, Michael knew he was dying a long time back, but didn’t let it keep him from the hard but rewarding work of reconnecting with his children, his friends and his family, cutting through the pettiness that keeps us all from forgiving trespasses while we still can. I only got to know him in the last couple of years of his life, but it was pretty clear that he was a rounder in his time – a long-distance trucker of the lock-and-load variety who spent most of his productive life crisscrossing the country with a load of this or a load of that. It seemed pretty clear that there’d been alcohol-fueled trouble in his time, amped up by a short fuse and a tendency to bluster, but the COPD had tempered that and the Michael I came to know was thoughtful, warm and whimsical. Perhaps it was the disease or simply the slap in the face that was -- and is -- Time, but Michael had mellowed and lived life these last few years the way we all should: one special and delicious day at a time. I’m sure he’d be pleased to know that he taught me a lot about living and dying.
Two days after Sharon and I sustained the news about Michael, I got another unwelcome phone call. My former editor at the Los Angeles Times and easily the most influential boss I’ve ever had, passed away from liver cancer. I’ve waxed on elsewhere about
Irv Letofsky who I’ve gratefully cited in every book I’ve ever written as the best editor I ever had. But Irv was also a friend and teacher – one of those few, rare folk with whom you connect at a gut level. We shared an approach/avoidance conflict toward Hollywood, spoke truth to power, followed the money, exposed greed and punctured bloated star egos at every opportunity. I owe him nothing less than my career. Whatever I have achieved or will achieve is directly attributable to his faith and forbearance in me and dozens of other angry young men and women like me. We are no longer so young, but as near as I can tell, most of us are still annoyed, if not so angry, and it is the continual lack of justice and equity in the world at large and Hollywood in particular that pisses us off – and Irv Letofsky deserves much of the blame (or credit) for keeping us from lapsing into complacency.
Both Michael and Irv deserve much longer eulogies, but what struck me as most profound in the last days of each of these very different men is how alike they were in keeping one foot in this world while quietly, and with great dignity, preparing for the next. One was a Republican Roman Catholic from Mississippi and the other a Jewish Democrat from Minneapolis, but they reveled in living while resigning slowly to the inevitable. The day before he died, Michael called me from the hospital and asked me who Al Roker’s predecessor was on “Today”. He said of all the people he knew, he was sure I’d have the answer because I’m such a fount of trivia. Willard Scott, I told him, and the satisfaction of having the answer literally seemed to help him breath easier. “Thank you, brother,” he told me, and rang off with a chuckle. Similarly, four days before Irv’s passing, I stopped by to visit him at home and he was propped up in a hospital bed, watching a Lakers game. I spoke more with his wife Brian Ann than with him, breathe not coming all that easy to him. But when I did lean in and ask him during a commercial what book project he thought I ought to try tackling next, he gave me the old sly Irv smirk and said: “Try something serious this time.”
While they would have been diametrically opposed to one another on most subjects during their lifetimes, Michael and Irv will forever be linked in my own memory because of who they'd become by the time they died. They didn't rage so much against the dying of the light as delight in a Kobe field goal or the recaptured memory of Willard Scott. They were of this world and left us with an unspoken mandate to sustain what we've got while trying hard to make it a little better. These were the kind of guys that Rudyard Kipling would have called men, and the Earth and everything that’s in it was theirs as a direct result .... all the way to the finish line.
Those who still doubt the truth of global warming need only pay a visit to the home of the Delta blues this day before Thanksgiving. Temperatures were still in the 70s, and though a cold front was promised to drop the mercury 20 degrees by the time turkey is served, most leaves still cling to the trees and winter seems a hundred years away.
Not that I’d notice. Southern California still courses through my veins despite a slow and certain weaning from the eternal traffic jam on the 405. Warm weather 365 days a year seems as normal to me as pulling fresh lemons off the backyard bush at my old Long Beach homestead.
But even an L.A. native can’t help but sense that something’s amiss with the weather. There’s a warm thunderstorm outside my office window at the moment and the soundtrack from “I’m Not There” is playing on my iTunes hard drive (50.3 gigs or 98.3 straight days of music – some things about the ever-encroaching technology that dominates our consumer lives doesn’t entirely suck). The point and counterpoint of lightning and Bob Dylan puts an apocalyptic tinge in the air. If you stay glued to the Dow Jones, watching the subprime crisis mire the economy in a septic pit of trillion dollar deficit spending and $100-a-barrel petroleum, there seems little to look forward to beyond debt and doom. And, of course, there’s always Iraq – Vietnam with sand. Great way to greet the holidays, eh?
But hope does, indeed, die last. On my most recent visit to L.A., I spent the day at Disneyland with my two-year-old grand daughter who forced me to wear her pink mouse ears during four trips around the carrousel. I turn 60 next week and if there was a bigger fool in Fantasyland that day, I’d like to meet him. Dignity, vanity and all that other good stuff that goes into any good recipe for guilt, shame and fear doesn’t wash with a toddler. They prefer fools, which should be a lesson to all of us who posture and pontificate for a living. There’s more hope in a single two-year-old than there is in a hundred old farts like me. We’ve had our chance at bat, swung, missed, swung again, and connected enough times to get us around the bases a few runs before our final inning.
Children deserve our attention, not our lip service. L.A. may yet burn to the ground or shake and bake in an 8.1 Richter reading. Gasoline may push past $5 a gallon and Iran might get the bomb. But regardless of how it rolls, we really must leave no child behind – really, truly, and not just through the convenient lie of spending cuts and standardized testing. There will always be a grandkid to set things straight for us if we just let them put those ears on the backs of our heads. They are the future. All else is folderol, fluff and folly. The earth they inherit needs our attention. That’s where I’ll be aiming my prayers on Thanksgiving Day.

All hail, O saver of the bruised coccyx!
Let us consider the Mystery of the Banana Peel.
Since Genesis, when Cain first slipped on one of them (this in the pre-Constantine version of the Bible, which got redacted in the 4th Century along with the banned Gospels of Judas, Mary Magdalene and Dilbert the Elder), the banana peel and its ability to instantly land an upright individual in a prone position has been an object of snicker and mirth.
“There’s a banana peel directly in the path of that dawdling doofus! Ho ho. I can hardly wait for the pratfall. Oh what endorphin-inducing yuks to come! Chuckle, chuckle, etc.”
Had anyone bothered to interview Shemp, E. Fudd or any of the other victims who have literally fallen victim to the banana peel over the years, they might have had a different reaction. Landing on one’s ass, as it turns out, is not replete with laughter, as Cain first tells Abel during a stroll through Abe’s banana orchard:
'And it came to pass that the first son of Adam escorted the second past his many fruited plains, not attending to the dangers that lurked within. Like the skulking viper that seduced his Mama, the sheathing of a plantain caused Cain to slide, propelling his feet high and above his head whilst his backside did fall to earth, landing hard upon the cheeks of his nether regions. So soundly did he plummet that his brother Abel howled with glee, pointing and pounding the flesh of his thighs as tears of hilarity rolled from his eyes.'
Some Biblical scholars maintain that this incident led directly to the later tragedy involving the two brothers though for poetic purposes most theologians continue to adhere to the jealousy theory. “Am I my brother’s keeper?” sounds a lot better than “You think that’s funny asshole? I’ll show you funny!”
But I digress.
Two weeks ago, I had my own slip and fall – an experience that my grand daughter Megan insists upon calling a “boot splat.” This incident did not involve a banana peel, but it did climax with a hard connecting of my bottom and the dirt outside our rear window. We’d just installed a slide on the new tree house (see journal entry below) and at Megan and Al’s urging, I tried the slide out. Turned out the slide was a little steeper and faster than I anticipated, leading to a crash landing. As with Cain, all who witnessed this unfortunate event had a great laugh at my expense and I heard about my boot splat for days thereafter.
Unfortunately, my butt didn’t see the humor. Within a day or so, that bit of bone at the bottom of the vertebrae known as the coccyx began letting me know via heretofore dormant neurotransmitters that it had been both bruised and most unhappy that I’d chosen to drop 200 pounds of me on top of it at a velocity of, oh, say 20 mph?
Which brings me to finding Nemo. After a week of Ben Gay, Aleve, hot and cold compresses and a lot more lying flat on my back than sitting at my computer, I spoke with my doctor. He refused my request for Oxycotin, medicinal marijuana or a morphine drip directly to the gluts and suggested instead that I find a donut pillow that would take the pressure off the injured tailbone. I went scouring the most likely places for said pillow and came up empty. Nothing at Rite Aid. Forget Walgreens. I was about to give up and Google one on the web (I feared what I might find in the way of merchandise at www.assthrobs.com) when I took a chance and wandered in to Toys R Us.
And there I found him: a $2 blow up ring for a wading pool featuring the happy, wide-eyed smile of Nemo. Now, you may laugh (cautionary note: so did Abel and you see where it got him) but I have been singing the Disney clown fish’s praises for going on 24 hours straight now. I couldn’t wait to get him home for a try out and blew up the ring right there in the Toys R Us parking lot. I had to lower the driver’s seat just to accommodate my new best friend. And I will now testify to this: driving TO Toys R Us was agony, particularly getting in and out of the car, but driving home FROM Toys R Us was like sitting on a cloud, and when I got out of the car – voila! No shrieking synapses from the rectal area. Just walkin’, talkin’, sittin’ and shifting from hip to happy hip as if everything were normal.
It will take a few more weeks for my boot splat to heal, according to my doctor, but in the meantime I pause every so often, look down at my donut and say a little “thank you” for finding Nemo. And, at least for the moment, I’ve banned bananas from our kitchen.

Meg & Alex supervise Uncle Fitz's work
The last day of June was the first day of the Great Treehouse Project. For the past two weeks, grandkids Megan and Alex joined forces with Devin, Maggie and Callie in a concerted planning effort which saw the domicile downsized from a three-story townhouse replete with library, den and media room to the current vision. Economics also accounted for the loss of forced air heating and cooling, the Viking kitchen and bowling alley. There will be a ladder, however and, possibly a dumb waiter to haul up Rose, the dog. Chief architect, contractor, consultant and nail-gun operator Spencer estimates a completion date of sometime within the next month or two. Megan plans a tree warming party within the next two weeks. Stay tuned for updates.

Meg, Alex & Devin hoist the rear wall with a little help from Spence and Uncle Fitz
By the first of July, the house takes shape. Thanks to the valiant efforts of Spence and Uncle Fitz, the California kids join Devin to raise high the roofbeam. By day's end, all that remains to attach is the roof. July 2: Roof's up, complete with tar paper and shingle sheeting. Satellite dish and hibachi and we're talking outdoor living at its best.

Meg waves from the front door of the new kid headquarters.
Occurs to me that a project like this would rarely get off the ground in L.A. There'd be permits, contractors, subcontractors, inspectors, assessors, quality control doofi, insurance adusters, etc. Breaks my heart that I don't have urban bureau-dorks near at hand to tell me and my grandkids what we can and cannot do. Such are the travails of returning to the land. I'd feel so much more secure inside the enforced safety of L.A.'s poisoned freeway-opoly. Suppose I'll just have to grin and bear it out here in the wilderness. Pass me the sweet tea, will y'all?

Spencer Crow, Master Builder, peaks from new roof of new house 'neath old tree.

Al & Devin put finishing touches on the interior

Dev & Meg try out the slide

Dev, Meg & Al sit it out while Spencer & Uncle Fitz finish kid headquarters.

Rep. Marsha Blackburn
I wrote my Congresswoman this morning, and here is what I said ---
Rep. Blackburn:
This is the first line of your bio on your website -- "Marsha Blackburn is an established, conservative, results-oriented legislator who solves problems." Okay, I'll take you at your word. Solve this problem. Iraq is Vietnam with sand. Americans die there daily for the same reason that they died in Southeast Asia a generation ago: no reason at all. End this war and end it now. I am a Vietnam veteran. I watch slack-jawed every day as George W. Bush repeats the crimes of LBJ, Richard Nixon and Henry Kissinger with utter impunity and contempt for 70% of the American electorate. By your vote, you continue to give the President succor, comfort, and the power of the Congressional purse. Break with your party and vote your conscience, Ms. Blackburn. To do otherwise is to sanction slaughter purely to pander to a Presidential hubris that can only be described as breathtaking in its nihilism. I had no idea that at 60 I would have to repeat the entreaties of my youth to a deaf, dumb and blind government:
Stop this war, Congresswoman Blackburn. Stop it Now.
Respectfully,
Dennis McDougal
I came to understand that Marsha Blackburn was my Representative only by accident. Until today, I was under the impression that Steve Cohen -- a Democrat who voted against funding the war -- was my Congressman. Such are the vagaries of Tennessee gerrymandering that a Republican Reese Witherspoon lookalike from Nashville nearly 3 hours away from my home is my representative in the House. Who knew? When I went to the polls last November, I am certain I cast my vote for Cohen. What happened in the meantime to shift me to Blackburn territory is a mystery. But there you have it: the legacy of Tom Delay jiggers the map so effectively that even relatively cognizant voters like myself have little idea who -- or what -- represents me in Washington.
The clever machinations of a morally bankrupt, politically corrupt, cynical and compassion-free federal government leave me feeling as abandoned and alone as I did during Vietnam. Lately, the lyrics of "Ohio" keep me awake at night: We're finally on our own.
Yesterday, the gutless Democrats who voted with Republicans to continue funding the war underscored this sad turn of events. Bush and his chickenhawks triumph once more. The center does not hold. Everywhere the ceremony of innocence is drowned. Democrats lack all conviction while the Bushies remain full of passionate intensity.
The rallying cry of my generation was two words: QUESTION AUTHORITY. It became the anthem of my youth and later, the guiding force of my career as a journalist.
What happened? Where are Woodward and Bernstein when we need them? What happened to the Pentagon Papers Volume II? Why has the Los Angeles Times of Otis Chandler turned into the Pennysaver? Why do I feel like another Kent State is right around the corner?
I can only hope that some rough beast is slouching toward Bethlehem because I don't expect to hear from Congresswoman Blackburn any time soon.

Caricature by artist River Sauts (Riv: the check is in the mail)
Hooray! Hooray! It’s the first of May! Outdoor …..
Well, we all know the rest, though I doubt the proliferation of poison ivy in these parts would encourage much bare-assed procreative activity except for raccoons and squirrels, of which there seem to be a bumper crop.
Beale Street Music Festival’s this weekend. Jerry Lee Lewis and Taj Mahal are on the same bill with Barenaked Ladies and Three Six Mafia. Eat your heart out, Coachella Music Festival.
I heard a Jimmy Buffet song at one of the local bistros last week – “Cinco de Mayo in Memphis” – and it got me to missing tacos. There are Taco Bells in Tennessee, naturally. Hell, there are Taco Bells in Lithuania. But tacos? That’s another matter. Chili verde and carnitas still seldom translate in the South, which seems odd given that they were invented in the deep, deep, deep South, somewhere near the Tropic of Cancer. I have yet to find a taco stand to match Patricia’s in Bixby Knolls. If I want fajitas that aren’t white bread, served up with a jolly “that be all, y’all?” I have to make them myself. C’est la vida loca, to mix and match mother tongues.
A month’s work on the Writers Guild of America story finally ends this week with the “L.A. Weekly” publication of my opus “The Check Is in the Mail.” Early reviews seem controversial, but that’s what always seems to happen when Group A takes money from Group B and doesn’t give it to Group C as promised. Stay tuned. The fallout from the foreign levies story looks as though it could finally provide the roadmap into the multinational cash laundries owned and operated by Murdoch, Redstone, Sony, Disney, General Electric and the mandarins of Time Warner.
On its face, the WGA story looks like a small potatoes quibble over the slow-or-no pay-out of a few million bucks, but the deeper and far more devastating theme lies at the very heart of the current scramble by the MPAA and the RIAA over movie and music piracy. Why do we feel little or no sympathy for the $5 billion that the MPAA claims pirates stole last year in the form of counterfeit DVDs, CDs, Internet transmissions and videotapes? Could it be that we all secretly feel that the corporate assholes and their lawyers deserve to get screwed, the way they’ve screwed over writers and artists all these years?
For decades, Hollywood studios and record companies have hogged profits, exploited artists, and cheated them out of even their rightful if pitifully tiny contractual royalties and/or residuals. Backroom rip-off artists led by Dr. Jules Stein, Lew Wasserman and Mob mouthpiece Sidney Korshak set the machinery in place half a century ago, and made Hollywood unions complicit in the theft. What avaricious Lew understood – and few grasped at the time – is now the drumbeat of the Internet Age: Content is King. It becomes more apparent every day, as technology marches on and the appetite for new material grows ever-more insatiable.
And who owns content? Copyright holders, that’s who. In the rest of the civilized world, creators hold copyright. But not in Hollywood they don’t. In Hollywood, through a combination of accepted practice and a half century of MPAA/RIAA lobbying efforts with the lazy lawmakers on Capitol Hill, copyright belongs to the studios and record companies, not to the men and women who toil over computer keyboards.
I write books. The copyright belongs to me. But my screenwriter friends own nothing. Their Guild is supposed to help counterbalance this rip-off by forcing the studios to pay them a lot of money for their copyright, and to compensate them further by seeing to it that they receive residuals, foreign levies and other revenue for their work – and to help them with health benefits and pensions in their old age.
But Hollywood’s guilds do little or none of the above. Instead, they give all to the studios.
There was great lament this past week over the passing of Jack Valenti. Similar breast beating and keening followed the passing of Lew Wasserman and Ronald Reagan upon their deaths. Great men. Great things. Never their like shall pass this way again, etc.
Wake up, Hollywood wannabes. These were the architects of copyright theft. These were the leaders of a cartel and a conspiracy designed to pick the pockets of men and women who write, direct, act, compose, create – and slap the cash into their own bank accounts. It’s too bad the WGA and the DGA and SAG fell into lockstep with them. Wouldn’t it be swell if there was actually someone in Hollywood looking out for the interests of those who make the movies?
Not likely. If any producer reading this would like to turn the foregoing into a miniseries, call my agent. I own the copyright.

In observance of the season
Put on my Sunday best – clean Hawaiian shirt, relatively clean black denims and barely passable sneakers – and prepared for an Easter feast yesterday morning. Fitz and family took us all out to Texas de Brazil, an all-you-can-eat churrascaria two blocks off of Beale where meat – leg o’ lamb, parmesan pork, garlic sirloin, filet mignon, ribs, etc. – is the meal. No rabbit however, Welsh or otherwise. It was Easter, after all. If you’re going to stage a Eucharist without gristle, best have no stringy bunny shin wedged between your molars.
Following a blast furnace beginning, spring has retreated this past week. It dropped to the 20s a couple of nights and forecast calls for rain this week. I’m past my ills – knock on Formica – but Sharon isn’t. Once our dual duels with intestinal carnage ended, she came down with something more. She rests. I kvetch.
My daughter Kate checked in late on Sunday. While both she and husband Id (he prefers the Freudian diminutive to his given name “David”) work their tushes off full time, they despair of ever having enough to afford a home. Such is the wretched purgatory that L.A. has become when tract lean-to’s go for half a million and a couple’s combined salaries have to top $150,000 just to look at a loan. Throw in the traffic nightmare that no politician seems willing or able to address, the impending drought that will throw the entire region back to a Baja desertscape, and air pollution that approaches a pack-a-day habit for every man, woman and child west of the Tehachapis and you’re pretty much talking about an average day in Moloch. L.A. has very quickly become a toilet, and while I understand how it could have happened, I had no sense that it would happen so quickly. Throw in the once-terrific school system where children get left behind every day from kindergarten to grad school, and a busted criminal justice system made all the more glaring in its “Here Come Da Judge” hilarity by leaps in gang tribal warfare that would make Marshall McLuhan flinch, and what you’ve got is a formula for chaos – the Biblical sort that should make James Dobson and the rest of his contemptuous flock of fat, preening evangelicals very pleased with their own self-righteous selves.
Ah, brave new L.A. with such creatures in it. Where’s Aimee Semple McPherson when you need her? All the City of Angels has left is Roger Mahony and his legion of pederasts. Makes you wonder if that’s how Gomorrah got such a bad rap.
Happy Bunny Day. Don’t load up on too many wafers and/or Cadbury eggs. Save some room for dessert.
Daffodils and dogwood – when each of these hardy perennials bloom, it’s a cinch that spring and/or hay fever will soon follow and thus we Left Coasters learn the ways of the Confederacy.
California is a much tougher call. There are no clear cut signs that winter’s done. Roses are so confused they often bloom year round. There are no ground hogs outside of the San Diego Zoo, so who’s going to look for shadows? Unless you have a calendar handy, the Equinox is about as easy to track as those two new planets beyond Pluto.
But out here ‘neath the Mason Dixon line, spring wells up like a dragon and clobbers all who suffer sinus drip with a vengeance. Each time I see that Pepe Le Pew bee advertising Flonase on TV, I used to wonder who the hell would brave tumors, backache, dyspepsia, erectile dysfunction, sudden cardiac arrest or any of the side effects listed in the disclaimer just to clear their sinuses? Southerners, that’s who. There’s nothing like a Tennessee spring to remind those of us who like to breathe just what pollen, spores, and wind-whipped gunk can do to a nose – or an ear, for that matter. I paid my annual visit to the doctor last week for antibiotics and ear drops to vanquish my first atmospheric bout of the year.
And yet, despite ah-choos and allergic reactions, the tradeoff seems worth it. The buds are returning to the bushes and leaves to the trees, and whatever crap I inhale has got to be less lethal than the carbon monoxide billowing off the 710 Freeway at rush hour, which seems to be 24 hours a day judging by my last visit to SoCal. By April, I expect my place here in the Memphis outback to be a green bunker, surrounded by vegetation – and I’m not talking ice plant or those sad fields of Freeway daisies that CalTrans buys by the acre. No, the green that is west Tennessee is the living kind that breathes in carbon dioxide and breathes out oxygen … pollen-thick oxygen, perhaps, but oxygen nonetheless.
I spent a week in L.A. last month, driving from one appointment to another, and came away feeling all the worse about the home I left behind. It is only a slight exaggeration to say that I felt like one of the last passengers to escape the Titanic. Someone recently sent me a current snapshot of the cast of “Leave It to Beaver” and besides depressing the hell out of me, it made me nostalgic. I grew up in Lynwood about a dozen miles southwest of downtown L.A., and far from the broken inner city neighborhood that it has become, in the 50s and 60s, Lynwood was a blue-collar utopia. Wally Cleaver, Eddie Haskell and the Beave could have been my next door neighbors. I had a paper route and a mongrel dog named Mopsy after a cartoon character in the comic pages that I delivered each afternoon inside the Los Angeles Daily Mirror.

Eddie, the Beave and Wally
There was a magnolia tree in front of my house, but there was little else about my childhood and adolescence that had much to do with the South. My father was from Texas and my mother, southern Illinois, and like half the population of Lynwood – or L.A., for that matter – they wanted to forget what they’d left behind. Following World War II, a place like Lynwood was an invitation to reinvigorate – to reinvent oneself and start over, a thousand miles and a couple of mountain ranges away from the hard scrabble caste system of the East. There might be a magnolia in your front yard, but that didn’t mean you were a slave or a sharecropper, a factory serf or a wage slave. California still had a halo and it hung over the City of Angels like a mantle of hope, until too many people with too many conflicting dreams paved Paradise and put up a parking lot.
Auto emissions now line L.A.’s inversion layer, and a very different sort of asthma afflicts the ever-increasing population. Each year more cars, more immigrants, more housing, more fast food outlets, more convenience stores, more crime, more mignons on the make with no end in sight and no effort on the part of public officials or private avarice to regulate, corral or control. What happened?
Just before I flew back to Memphis, I drove down the street where I grew up and the magnolia was still there, in front of my house. Only it was hardly recognizable as the place I called home for 18 years, until the day I headed off to Vietnam in 1967. The yard was neat enough and though the garish lavender is not the color I would have chosen for house paint, the place looked kept up and clean.
But it had become so much smaller than I remembered. The house where I grew up with two parents, two brothers, a sister and a dog named Mopsy couldn’t have been more than 1,000 square feet. Funny I don’t recall it being a cracker box. Funny that I remember it teeming with drive and imagination and shared motivation to taste and experience all that Southern California had to offer. In fact, the only thing about my earliest home that seemed to have gotten bigger was the magnolia, which now towers two stories above the house itself.
Here at our new home in Tennessee, we’ve got sycamores and maples, oak and alder and probably a hundred other species I wouldn’t recognize even if I owned a copy of “Botany for Dummies,” but at least on our spread, not a single magnolia. The temperature’s supposed to hit 70 today. When it does, I think I’ll head to Home Depot and buy a magnolia for the front yard. Maybe on the way back, I’ll drive through Walgreen’s and see if I can get some Flonase without a prescription.
Five Easy Decades is finished and the editing begins. It’s been nearly a week since I typed “The End” at the bottom of page 689 – that’s right, 689, which is why the editing begins.
Editing is not writing, however, and requires a whole different mind set. It’s kind of like raising cattle your whole life and suddenly being asked to package steaks: you know the process and might even be able to pull it off, but it isn’t the same behavior, even if both involve meat. Editing and writing both involve words, but that’s about it. One is not the other and switching to the butcher’s block after two years on the range is a major pain.
That said, I do feel released. I’ll hit the road next week to resume work on The Acid Chronicles and a couple of freelance assignments: a week in San Francisco/Sacramento followed by a week in L.A. I’d really like to just take a month off and catch up on my reading, but that looks like it’ll have to wait.
It’s cold here in Tennessee, but not impossible most days. The deer were back yesterday, foraging but not to the point of stripping bark from the trees. In fact, they looked well fed – not nearly so much as me, having porked up alarmingly during my sedentary year with Five Easy Decades – but certainly in good enough shape to handle the hard weather a helluva lot better than Bambi and his mom.
I had to take the car in to the dealer a couple days ago because the “check engine” light came on in the dashboard and ran into a nettling traffic jam on the way – the first I’ve had to deal with in months. By California standards, it was a joke. Fifteen minute delay because of road work on Walnut Grove Road. But it brought out the road rage in me and I flipped off the highway workers as I finally drove past, gnashing my teeth and snarling a couple of choice epithets. It wasn’t so much that I had to be somewhere and had been delayed as it was an unforeseen disruption of my predictable routine. It makes me ponder how locked in I am (we are?) to putting life into cruise control. Speed bumps make us crazy even if they’re made of gold bullion. What? Are you telling me to SLOW DOWN? Are you out of your mind?
Acceptance is the hardest imposition. “We want the world and we want it now,” said Jim Morrison, and look where it got him. He’s now the fourth-largest tourist attraction in Paris, and a big lot of good it does him. I think I don’t want to be a tourist attraction. I think I’ll leave that to Jim and Elvis, who is the first-largest in these parts. There’s a big blank spot in the upper left corner of my project board beside my desk, now that Five Easy Decades is done, and I think I’ll leave it blank for a little while. There’s plenty of other stuff to do – Paradise Square, The Candlestickmaker, Harbor Lights, maybe even a return to Professor Lyle Fields and another stab at detective fiction.
And then there are the far more important projects that don’t involve words at all. Spearheaded by Megan and Devin, my grandchildren are conspiring to force me to build a tree house out back. I haven’t done any serious research to see if this is even possible, but when the weather ratchets down (up?) to an outdoorsy temperature, I think I’ll have to scout for an oak or two that might support a floorboard. These things do take priority as tree house interest tends to wane with puberty and I’d hate to miss the window of opportunity. Words can wait.